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Friday, 23 January 2015

A NEW BOOK COMPILES TOUCHING, UNORNAMENTED ARTWORK FROM JOHN's LIFE OUTSIDE OF MUSIC

Posted on 16:57 by RAJA BABU
In the foreword to the new John Lennon: The Collected Artwork, Yoko Ono tells the story of her first encounter with her future husband. "He met me when I was doing an art show in London," she writes. "He said he could have done it, too. 'Well, you can still do it. Why don't you?' I said. 'No, I can't. I'm a Beatle.'






"There was a touch of sadness in his voice. He was right."
A half-century later, Lennon's extra-musical activities are well known and much appreciated, but the subsequent volume attempts to make the definitive case for the singer's talent as a visual artist. Its sketches are minimalist, emotional, funny and charming. Taken together, they show a man with a keen sense of humor and a deep love for his family.


"Lennon's art changed considerably over time," Scott Gutterman, deputy director of New York's Neue Galerie, writes in the introduction. "The freewheeling figures he drew in his twenties gave way to sophisticated line drawings depicting his newfound daily life, including his sojourns in Japan and his delight in becoming a father to Sean. . . In a sense, just as Lennon united with Ono as her partner, he also took on her approach as an artist, in which the separation between art and life was blurred, even erased."
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STAN IRWIN, LAS VEGAS PRODUCER, DIES AT 94

Posted on 16:05 by RAJA BABU
Stan Irwin, a Las Vegas producer and manager for such celebrities as Johnny Carson, has died at age 94.

Irwin's friend and business partner George Michaud says Irwin died Wednesday of natural causes in Los Angeles.
Irwin guided the careers of such celebs as Don Rickles, Buddy Hackett and Pearl Bailey. He was credited for bringing artists like Judy Garland, Frank Sinatra, Marlene Dietrich, Paul Anka, Bobby Darin, Brenda Lee, Bob Newhart.


He was also responsible for bringing The Beatles to Las Vegas for the first time and got them to do two shows in one night. Demand was so high that Irwin had to move them from the Sahara to the Las Vegas Convention Center on August 20, 1964. The 50th anniversary of that event was recently celebrated in Las Vegas.

Irwin also served as executive producer of "The Tonight Show" in 1962, which was the first year of Carson's tenure. He also voiced the Lou Costello character in Hanna-Barbera's "The Abbott and Costello Cartoon Show" in the 1960s.
He is survived by his wife, Marjorie.
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JOHN LENNON: THE COLLECTED ARTWORK

Posted on 08:57 by RAJA BABU

It might be hard for those who didn’t live through the arc of John Lennon’s life to understand the impact this one man had on people around the world. Coming out of the darkness surrounding the end of World War II and the paranoia of the 1950s, The Beatles were a breath of fresh air, a sound of hope and new possibilities. Today their songs from the early 1960s probably don’t sound overly rebellious, but in the context of the times they were new and liberating. Sure there was other pop music at the time, equally good if not better, but The Beatles managed to capture the imaginations of young people around the world like few others.

Cover John Lennon The Collected ArtworkHowever, it wasn’t just the music. Part of their appeal was the irreverent humour they projected in their public appearances. While they all shared this characteristic, Lennon’s humour and comments always seemed to have more of an edge to them than the others’. This came to a head with his off-the-cuff comment about how The Beatles were more popular than Jesus. While this caused the type of backlash you’d expect in certain quarters – burning of Beatles’ records, condemnation by fundamentalist Christians (sound familiar?), and warnings of “he better not show his face around here” – it did nothing to affect the group’s popularity around the world, proving Lennon right in his assessment.




While many of today’s pop stars and celebrities have carefully cultivated images for public consumption, Lennon’s public persona was his true face. Mischievous, sometimes caustic, and often opinionated, what we saw in his appearances and heard in interviews was who he had always been. You only need to glance through a new book, John Lennon: The Collected Artwork, from Insight Editions, for proof. For the book contains artwork he created from his childhood onwards, and even in some of those earlier drawings we see manifestations of each of those characteristics.

Before Lennon was a Beatle he had attended the Liverpool Art School. Although he was unable to complete his studies as his music career took off, he continued to sketch and draw for the rest of his life as time allowed. Glancing through the book the first impression is of relatively unsophisticated line drawings that appear to range from doodles to sketches or cartoons. But upon closer examination you realize the looseness of style was a deliberate choice. One need only look at some of the detailed backgrounds in the work to realize the time and effort which were put into each drawing.
In his text for the book Scott Gutterman not only makes an effort to put the illustrations into a historical context in terms of Lennon’s life, but also points out how they reflect the way he looked at the world. While the first of the book’s seven sections offers paintings and sketches from Lennon’s early years, the chapters are not in chronological order. Instead, they have been arranged to give us a sense of who Lennon was as visual artist, and what he attempted to accomplish with his work.




Most of the chapters’ titles are self-explanatory: “Self Reflection” (Chapter 2), “Observations” (Chapter 3) or “John With Yoko” (Chapter 6). But Chapter 4, “Japanese Translation Drawings”, is different. After the birth of their son Sean, Lennon and his wife Yoko Ono would make frequent trips to visit her family in Japan. Not only do the pictures in this section depict Lennon’s attempts to learn Japanese, they also reflect his study of sumi-e, a traditional Japanese style of pen and ink drawing.

 



The work in this section, and many of the pieces created in the years following, reflect this new influence. However, we also see why Lennon would have been attracted to the form. For while there are distinct stylistic differences: The lines are more definite, and these drawings don’t contain the same amount of detail as others, it’s still a natural extension of the line drawings Lennon had been doing previously. On a more personal level, the new style of drawing also reflects the changes he went through during his retirement from 1975 to 1980 when he took time off to raise his new son. There’s a stillness to them indicative of the changes he underwent transitioning from rock and roll star to househusband and father.

While Lennon will always be more remembered for his music than his output as a visual artist, the work contained in this book gives us a different view of him as a person and an artist. They may not be the most sophisticated pieces of art, but each of them reveals something of his nature, whether his sardonic view of middle class values in the work “Squares”, or his love for the simplicity of his domestic life through the depictions of his family in the last years of his life. Most impressive is how much he’s able to communicate with a few strokes of his pen. It’s as if he were able to channel his passion or emotions through this very narrow conduit and have them show up on the page where we can all appreciate them.
Of course there’s the question of whether we’d be seeing these works of art if he weren’t John Lennon. The answer is probably not. However, that does nothing to diminish this book’s importance as a record of Lennon and his life. Those who knew his work as a musician, or knew anything about him when he was alive, will be reminded of those things they admired in him. Whether the pieces will have the same appeal to others is uncertain, as in some ways you’d have to have experienced Lennon the person and musician to fully appreciate them.
John Lennon: The Collected Artwork is a beautifully packaged and presented book. The reproductions of his art are as good as those you’d see in any collection of this kind and the accompanying text does a good job of explaining their history and background. Lennon will always be best known as a musician, but this collection of his artwork provides a fascinating look into a different facet of an intelligent, opinionated and original mind. That alone makes it worth owning.
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Thursday, 22 January 2015

ANIMATOR AND DIRECTOR RON CAMPBELL VISIT REHFELD's ART & FRAMING

Posted on 18:03 by RAJA BABU

Animator Ron Campbell's work spanned The Beatles' 'YellowBesides the lasting music, The Beatles era included the animated film, "Yellow Submarine," and an ABC Saturday morning network cartoon. This weekend, the artist behind both will be at Rehfeld's Art & Framing.
On Friday and Saturday, animator and director Ron Campbell will be showcasing his original art work from the 1968 movie, as well as the cartoon series, which he directed when the show aired Sept. 25, 1965, through April 20, 1969. Campbell will talk about his career, and 30 of his original cartoon paintings of The Beatles will be on display and for sale.
Born in and educated in Australia, Campbell came to California in 1966, first for Hanna Barbera then going on to create his own studio. He soon became the country's go-to guy for animation especially children's cartoons like Scooby Doo, Winnie the Pooh, Krazy Kat, George of the Jungle, The Jetsons, Flintstones and the Smurfs.

Campbell's animation also garnered him a Peabody Award and an Emmy for "The Big Blue Marble," which aired 1974-1983 on PBS.
Campbell, now 75 and living in Arizona, continues his art, doing reinterpretations of the Beatles' "Yellow Submarine" and the Beatles TV cartoon show. They aren't copies. Rather they are paintings. Since he retired, the legendary animator has taken his fifty years of work on the road.
"It gets me out of the house," he said.

Still, he never imagined "Yellow Submarine" and Beatle art would be such a big hit and would become part of pop culture.
"At the time we made the move in 1968, we knew that the music was extraordinary and so was the art design," he said.
Campbell feels people will take a lot away from the show besides all The Beatles art.
"A lot can be said for nostalgia. The cartoons bring back such great memories," said Campbell. "From The Beatles and the Saturday morning cartoon characters, it's three generations of people that love this stuff."
Anyone buying Campbell's art will receive a personal painting on their certificate of authenticity and will pose for photos while Campbell holds the artwork.
Though the art gallery showcases lots of local artists, it's a rare thing for Rehfeld's to have a national artist to come on site, said Audra Kulm, gallery manager at Rehfeld's.
"Ron Campbell's appearance a Rehfeld's Friday and Saturday is a special opportunity for the Sioux Falls community to meet a nationally recognized artist and legendary animator," said Kulm. "If you are a Beatles fan or were charmed by those Saturday morning cartoons you are going to love meeting Ron and seeing his pop art."
Campbell answered questions about his "long and winding road" as an animator and his iconic art.
Question: What was the first cartoon animation you ever drew?
Answer: I was 18 years old and was asked to draw for a commercial for bug spray that killed centipedes. I had to do 100 drawings of a centipede collapsing from the bug killer. It meant drawing one hundred legs over and over again. Fifty years and one month after drawing my first cartoon I retired from animation. My final cartoon film was "Ed, Edd n Eddy" completed in 2008. It now appears on the Cartoon Network.
Q: What was your job in the ABC Beatles Cartoon Series and the movie "Yellow Submarine?"
A: In my career, I was an associate producer and also a director. Though I never created an animated creature, I drew. I did storyboarding, editing, hired people to do the animation and timed the animation.
Q: How did you feel about Beatles music in a cartoon?
A: Animation and music work well together. In fact, "Yellow Submarine" was probably the first cartoon music video. It's funny, no one ever complained about a psychedelic cartoon when the music was by the Beatles.
Q: What was something unique about the 89-minute animation of "Yellow Submarine" that many people might not be aware of?
A: The man hours. It took eight months to produce 12 minutes of film for the sequence I did. My part was the 'Sea of Time' where the Beatles get older and younger. I also did the animation for the Blue Meanies, the music hating creatures of the film. In addition, I did a lot of transitional pieces between songs.
Q: Which Beatle was most fun to draw?
A: The band was so well documented. They were all fun to draw.
Q: What are the two most asked questions about your work with "Yellow Submarine?"
A: The most asked question is: 'Have you ever met the Beatles?' The second most frequent is: "Were the animators on drugs or smoking weed when they did the psychedelic cartoon?" The answer to both is "no."
Q: What is your view about the today's new animation?
A: With today's form of animation, computers are doing what humans can't. Still, with humans' creativity, it allows them to do what computers can't. Animation is not a lost art.
If you go
What: Animator and director Ron Campbell, with The Beatles movie "Yellow Submarine," and an ABC Saturday morning network cartoon about the group.
Where: Rehfeld's Art & Framing, 210 S. Phillips Ave.
When: Noon to 8 p.m. Friday and 10 a.m. to 5:30 p.m. Saturday. An artist's reception will be held 6 p.m. to 8 p.m. Friday, and Campbell will speak at 6:30 p.m.
Cost: All art is available for purchase. The event is free.
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JOHN´S FINAL INTERVIEW WITH ‘ROLLING STONE’

Posted on 17:00 by RAJA BABU
On January 22, 1981, Rolling Stone published the last ever print interview with John Lennon.

The interview was conducted on December 5, 1980, just 3 days before he was shot.
Naturally, the January issue became a tribute to Lennon. It featured highlights of the interview, with writer Jonathan Cott, and a photo of Lennon naked, curled up in a fetal position around his clothed wife, Yoko Ono, on the cover.
The original published interview only featured excerpts from Cott’s 9-hour interview with Lennon. The full interview was released 30 years later – more on that later.
The main focus was the upcoming album, Double Fantasy, that he was working on with Yoko. Cott followed the couple into the studio as they remixed several songs for the album.
Cott wrote the piece with a retrospective eye, recalling his interactions with Lennon from their first meeting, in 1968, when Rolling Stone was a small, “impoverished, San Francisco-based magazine,” to this last interview.
 
30 years later, Cott re-discovered his interview tapes. The full interview was released in a 30th anniversary memorial issue of Rolling Stone. Cott told the magazine,
“Earlier this year I was cleaning up to find some files in the recesses of my closet when I came across two cassette tapes marked ‘John Lennon, December 5th, 1980.’ It had been 30 years since I listened to them, and when I put them on, this totally alive, uplifting voice started speaking on this magical strip of magnetic tape.”
(A fan holds a copy of the RS cover at a tribute for the 20th anniv of John’s death, Dec 8,2000)
An 18-minute clip from the interview was released for free on iTunes, along with several other interviews that John Lennon did with Rolling Stone over the years.
The clip reveals a different side of Lennon from the originally published interview. In it, he discusses the fans who were angry at him for taking a hiatus from music to raise his son, and he was very angry at them.
“They only like people when they’re on their way up. I cannot be on the way up again… What they want is dead heroes, like Sid Vicious and James Dean. I’m not interested in being a dead f—ing hero … so forget ‘em, forget ‘em.”
Rather ironic that a dead hero is exactly what he became a mere few days later.


John also revealed that he was considering going back out on the road. Unfortunately, that tour would never come to be. Many of Lennon’s words still ring true today. This quote particularly caught my ear, discussing how society idolizes people in very public positions,
“They pick a President, they put him up there, and then they set fire to him because he couldn’t solve their problems, because they’re always looking for somebody else to provide for them.”
John went on to discuss Bruce Springsteen and Mick Jagger, but I couldn’t help but think of President Barack Obama.

Overall, the interview emphasized Lennon’s message of peace. After all he went through, he still believed wholeheartedly in love over hate, but he was very humble about all he had done.
“I’ve never claimed divinity,” he said. “I’ve never claimed purity of soul.”
 
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Wednesday, 21 January 2015

STELLA McCARTNEY SUMMER 2015 CAMPAIGN FILM

Posted on 15:30 by RAJA BABU

See the Summer '15 campaign film featuring Natalia Vodianova, styled by Stella and shot by Harley Weir in Ibiza







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‘LIVE AT KNEBWORTH’ 1990 CONCERT TO BLU-RAY

Posted on 13:35 by RAJA BABU
On June 30, 1990, an amazing assortment of British rock legends shared the Knebworth stage, including Paul McCartney, Eric Clapton, Pink Floyd, Robert Plant, Elton John, Phil Collins, Genesis and Dire Straits — and on March 17, the show that’s been called “the best British concert of all time” will make its belated Blu-ray debut. Among the show’s many highlights was a heavily rumored appearance by Jimmy Page during Plant’s set, which Plant later joked was a sort of make-up effort for the widely panned Led Zeppelin reunion set at Live Aid five years earlier.

Paul and the band, Knebworth, Hertfordshire.Saturday 30/7/1990
 “At Live Aid, Zeppelin sounded like a set of rabbit’s bones rattling,” Plant said after their performance. “But working with Pagey in my band today was great. No top of the bill, just a lot of heart.” The show has long been available on CD and DVD, but the new version promises “the best possible quality” by offering upscaled standard-def footage with uncompressed stereo and DTS-HD Master Audio. The set won’t be available for pre-order until February, but Eagle Rock Entertainment is advertising a list price of $17.98 for the disc. 


 
Check out some footage from Knebworth ’90 above and the track listing below.
‘Live at Knebworth’ Track Listing 
Tears For Fears: ‘Change’ ‘Badman’s Song’ ‘Everybody Wants to Rule the World’ 
Cliff Richard & The Shadows: ‘On the Beach’ ‘Good Golly Miss Molly’ ‘We Don’t Talk Anymore’ Phil Collins: ‘In the Air Tonight’ ‘Sussudio’ 
Paul McCartney: ‘Coming Up’ ‘Birthday’ ‘Hey Jude’ ‘Can’t Buy Me Love’ Status Quo: ‘Whatever You Want’ ‘Rockin’ All Over the World’ ‘Dirty Water’ ‘In the Army Now’ 
Eric Clapton: ‘Before You Accuse Me’ ‘Tearin’ Us Apart’ Dire Straits: ‘Solid Rock’ ‘Think I Love You Too Much’ ‘Money for Nothing’ 
Elton John: ‘Sacrifice’ ‘Sad Songs (Say So Much)’ 
Robert Plant: ‘Hurting Kind’ ‘Tall Cool One’ ‘Wearing and Tearing’ (with Jimmy Page) ‘Rock and Roll’ (with Jimmy Page) 
Genesis: ‘Mama’ ‘Throwing It All Away’ ‘Turn It On Again’ Medley: ‘Turn It On Again’ / ‘Somebody to Love’ / ‘Reach Out, I’ll Be There’ / ‘Pinball Wizard’ / ‘In the Midnight Hour’ / ‘Turn It On Again’ (reprise) 
Pink Floyd: ‘Shine On You Crazy Diamond’ ‘Run Like Hell’
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Blog Archive

  • ▼  2015 (100)
    • ▼  February (68)
      • PAUL TALKS WITH BBC CLICK´s SPENCER KELLY
      • PAUL AT IRVING PLAZA, NEW YORK CITY - Feb 14, 2015...
      • RINGO & HIS ALL STARR BAND AT UTTYLER COWAN CENTER...
      • PAUL AND HIS BAND PLAYED IN NYC, IRVING PLAZA,US -...
      • 40 YEARS OF SATURDAY NIGHT LIVE
      • PAUL PLAYS IRVING PLAZA FOR VALENTINE's DAY
      • PAUL TO PLAY SURPRISE SHOW AT IRVING PLAZA TONIGHT
      • RINGO & HIS ALL STARR BAND : FIRST SHOW IN LA
      • DIANA KRALL's LATEST ALBUM INCLUDES UNRELEASED PAU...
      • DOCUMENTS DETAILING BREAKDOWN OF JOHN's MARRIAGE U...
      • JULIA BAIRD TALKS NEW DOCUMENTAL 'COME TOGETHER'
      • PAUL SMASHING RECORDS WITH ‘FOURFIVESECONDS’
      • "COME TOGETHER" A BEATLES TRIBUTE,NARRATED BY JULI...
      • PAUL COMMENT TO QUEEN MOTHER REVEALED IN CAIRD HAL...
      • 51 YEARS AGO: THE BEATLES AT THE WASHINGTON COLISEUM
      • PLEASE PLEASE ME - RECORDED ON THIS DAY, 11th FEBR...
      • PAUL MCCARTNEY.COM: SEND YOUR VALENTINE 'My Valent...
      • "POSTCARDS FROM PARADISE"
      • RINGO’S NEW ALBUM ‘POSTCARDS FROM PARADISE’, PRE-O...
      • NEW BOOK: "JOHN LENNON & YOKO ONO" BY Kishin Shino...
      • 51 YEARS AGO: THE BEATLES ON THE ED SULLIVAN SHOW
      • PAUL, RIHANNA AND KANYE WEST DEBUT 'FOURFIVE SECON...
      • "FOURFIVE SECONDS" PERFORMANCE BY PAUL, RIHANNA & ...
      • JOHN: 1970's 'MAN OF THE YEAR'
      • PAUL PERFORMS WITH RIHANNA AND KANYE WEST AT THE G...
      • PAUL AT GRAMMY - PHOTOS - VIDEO ("Evil Woman")
      • RINGO FEBRUARY 2015 UPDATE - VIDEO
      • THE GRAMMY PROGRAM BOOK 2015
      • NEIGHBOUR OF JOHN's MUM REVEALS SHE TOLD YOUNG FAB...
      • DHANI LAST NIGHT AT THE GRAMMY SPECIAL MERIT AWARD...
      • DHANI AND SOLVEIG ATTENDING THE 17TH ANNUAL GRAMMY...
      • GEORGE PAST GRAMMY AWARDS
      • SPECIAL MERIT AWARDS CEREMONY : GEORGE HARRISON
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      • PAUL ATTENDS THE GRAMMY CHARITIES SIGNINGS
      • THE BEATLES IN CENTRAL PARK, NEW YORK - PHOTOS
      • THE BEATLES IN AMERICA - 51 YEARS ON
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      • PAUL IN TOP 20 OF "BILLBOARD" HOT 100 WITH RIHANNA...
      • MYSTERY OF BEATLES MURAL IN GRIMSBY HAS BEEN RESOLVED
      • TRAILER FOR AL PACINO’s JOHN LENNON -INSPIRED MOVI...
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      • WHY GEORGE WAS HAPPIER OUT OF THE SPOTLIGHT
      • LET IT BE ... NAKED - AUDIO: CHAPTER 5/5
      • LET IT BE... NAKED AUDIO: CHAPTER 4/5
      • LET IT BE ... NAKED - AUDIO: CHAPTER 3/5
      • LET IT BE ... NAKED - AUDIO: CHAPTER 2/5
      • LET IT BE... NAKED - AUDIO: CHAPTER 1/5
    • ►  January (32)
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RAJA BABU
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